Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 Seiten It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
Im Buch
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Seite 208
... tion therin : for I thank God , I labour not with that disease of ostentation . . . having my name already wider in this kind then I desire , and more in the winde then I would . " Το treat one's own works as worthy of publication was ...
... tion therin : for I thank God , I labour not with that disease of ostentation . . . having my name already wider in this kind then I desire , and more in the winde then I would . " Το treat one's own works as worthy of publication was ...
Seite 225
... tion can be seen in the French privileges that were , around the middle of the seven- teenth century , beginning to be granted regularly to dramatists . In support of their grant of authorial property rights in plays , the privileges ...
... tion can be seen in the French privileges that were , around the middle of the seven- teenth century , beginning to be granted regularly to dramatists . In support of their grant of authorial property rights in plays , the privileges ...
Seite 305
... tion onto the dry page : The professors and the doctors of the literary guilds [ took ] heritage of the ruins of the fallen edifice , and delved among its beams and stones ; to pry , to ponder , and to re - arrange its mem- bers . With ...
... tion onto the dry page : The professors and the doctors of the literary guilds [ took ] heritage of the ruins of the fallen edifice , and delved among its beams and stones ; to pry , to ponder , and to re - arrange its mem- bers . With ...
Inhalt
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Urheberrecht | |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2000 |
Häufige Begriffe und Wortgruppen
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes