Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 Seiten 'Magnificent... a magnum opus in more ways than one... this is a big book and an important one, that merits applause for both the scope of its intellectual ambition and the scholarly integrity and enthusiasm of its execution.' -Years Work in English Studies'Peters' work has a solid foundation in primary sources and detailed documentation... offers a viable and thoughtful investigation of an important topic. Theatre of the Book is thought-provoking and dense. It is beautifully illustrated with 60 reproductions of various types of literature associated with drama, each one of them a reminder of the durability of print in contrast with the evanescence of performance in the pre-electronic era.' -History of European Ideas'Deft handling of a great number and variety of sources... The author has thankfully brought a sense of order to the material, without dulling the complexity with overanalysis... The notes are clear and helpful in guiding the reader to a wide range of primary sources and scholarly works that bring an added level of authority to the work as a whole.' -Sixteenth Century Journal'This book is an example of some of the exciting work being undertaken in the growing field of book history, a field which has of late lived up to its promise to be truly multidisciplinary. It is an important contribution to the understanding of the impact and legacy of the printing press.' -Sixteenth Century Journal'Eminently scholarly and subtly argued... Scholars in a variety of fields, especially those who work outside traditional discipline boundaries, will welcome this book as an engaging starting point for research at the intersection of historical bibliography, the history of communication, theatre history, and dramatic theory.' -Sixteenth Century Journal'Remarkable and wide-ranging.' -Peter Holland, Times Literary SupplementTheatre of the Book explores the impact of printing on the European theatre, 1480-1880. Far from being marginal to Renaissance dramatists, the printing press played an essential role in the birth of the modern theatre. Looking at playtexts, engravings, actor portraits, notation systems, and theatrical ephemera as part of the broader history of theatrical ideas, this illustrated book offers both a history of European dramatic publication and an examination of the European theatre's continual refashioning of itself in the world of print. |
Im Buch
Ergebnisse 1-3 von 61
Seite 11
... various versions of the Mystery of the Passion ( printed in several editions from the 1480s on ) ; saints ' plays like Antonia Pulci's Representation of Saint Guglielma ( printed in Florence in numerous editions from the 1490s on ) ...
... various versions of the Mystery of the Passion ( printed in several editions from the 1480s on ) ; saints ' plays like Antonia Pulci's Representation of Saint Guglielma ( printed in Florence in numerous editions from the 1490s on ) ...
Seite 100
... various performance forms comedies and tragedies , plays , farces , interludes could be identified with each other , linked through the institutions developing around the new theatres . That the various kinds of dramas ― ancient and ...
... various performance forms comedies and tragedies , plays , farces , interludes could be identified with each other , linked through the institutions developing around the new theatres . That the various kinds of dramas ― ancient and ...
Seite 276
... various narrative roles in order to perform her multiple selves on the page . When she dedicates her autobiography ... various the- atrical incarnations ; presenting her with an objectified rendering of the " Charac- ters " she will play ...
... various narrative roles in order to perform her multiple selves on the page . When she dedicates her autobiography ... various the- atrical incarnations ; presenting her with an objectified rendering of the " Charac- ters " she will play ...
Inhalt
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Urheberrecht | |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2000 |
Häufige Begriffe und Wortgruppen
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes