Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 143
... Musical Terms as Rhetoric provides a searching analysis of ambiguity in connection with musical terminology . 5. See in this connection Brissenden , Shakespeare and the Dance . 6. Dolmetsche , Dances of England and France . 7. " Their ...
... Musical Terms as Rhetoric provides a searching analysis of ambiguity in connection with musical terminology . 5. See in this connection Brissenden , Shakespeare and the Dance . 6. Dolmetsche , Dances of England and France . 7. " Their ...
Seite 155
... Musical Terms as Rhetoric : The Complexity of Shake- speare's Dramatic Style . Salzburg : Salzburg Studies in English Literature , 1974 . Weimann , Robert . " Mimesis in Hamlet . " In Shakespeare and the Question of Theory . London ...
... Musical Terms as Rhetoric : The Complexity of Shake- speare's Dramatic Style . Salzburg : Salzburg Studies in English Literature , 1974 . Weimann , Robert . " Mimesis in Hamlet . " In Shakespeare and the Question of Theory . London ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
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Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |