Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 20
... Beatrice seems to suggest that the world itself must , for successful wooing , conform to a whirl - undoubtedly a feature of the Scotch jig . Benedick , the more vocal and agile half of Beatrice's compound suitor , participates in all ...
... Beatrice seems to suggest that the world itself must , for successful wooing , conform to a whirl - undoubtedly a feature of the Scotch jig . Benedick , the more vocal and agile half of Beatrice's compound suitor , participates in all ...
Seite 33
... Beatrice , by piling one bit of " evidence " on another , closely fol- lows the procedure of increase ; and its end result consists in creating a palpably hyperbolic spectacle of Beatrice's imaginary passion . The narrative itself , as ...
... Beatrice , by piling one bit of " evidence " on another , closely fol- lows the procedure of increase ; and its end result consists in creating a palpably hyperbolic spectacle of Beatrice's imaginary passion . The narrative itself , as ...
Seite 34
... Beatrice : " But Nature never framed a woman's heart / Of prouder stuff than that of Beatrice " ( III.i.49–50 ) . Two almost antithetical types of fram- ing appear to operate here : that of nature , functioning as an exten- sion of the ...
... Beatrice : " But Nature never framed a woman's heart / Of prouder stuff than that of Beatrice " ( III.i.49–50 ) . Two almost antithetical types of fram- ing appear to operate here : that of nature , functioning as an exten- sion of the ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |