Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 89
... Hamlet clearly stands out as Shakespeare's longest play ; and the prince , both in the number of lines he speaks and their ratio to the total length of the tragedy , verbalizes far ... Hamlet , a far more dedicated intellectual Hamlet 89.
... Hamlet clearly stands out as Shakespeare's longest play ; and the prince , both in the number of lines he speaks and their ratio to the total length of the tragedy , verbalizes far ... Hamlet , a far more dedicated intellectual Hamlet 89.
Seite 101
... Hamlet recog- nizes his duty and shows a due respect for hierarchy ; but apart from his public display of grief , costumed or not , at court , he does not re- ally express filial sentiments . He greatly admires his father , whose name ...
... Hamlet recog- nizes his duty and shows a due respect for hierarchy ; but apart from his public display of grief , costumed or not , at court , he does not re- ally express filial sentiments . He greatly admires his father , whose name ...
Seite 149
... Hamlet , The Players ' Shakespeare , p . 188 . 20. See Reiss , Tragedy and Truth , pp . 162-82 . 21. Weimann , in " Mimesis in Hamlet , " has provided a thorough discus- sion of the relationship between performance and representation ...
... Hamlet , The Players ' Shakespeare , p . 188 . 20. See Reiss , Tragedy and Truth , pp . 162-82 . 21. Weimann , in " Mimesis in Hamlet , " has provided a thorough discus- sion of the relationship between performance and representation ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |