Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 72
... Othello and the other warriors , having in a sense lost their purpose , fall back on the provisional roles imposed by a peaceful and domesticated universe . Unlike the victorious soldiers in Much Ado about Nothing , Othello the married ...
... Othello and the other warriors , having in a sense lost their purpose , fall back on the provisional roles imposed by a peaceful and domesticated universe . Unlike the victorious soldiers in Much Ado about Nothing , Othello the married ...
Seite 85
... Othello's tragic predicament by tearing off the last shreds of his heroic per- sona . To become a tragic figure , Othello actually requires the baseness of the character who plots his downfall as well as the insignificance of the ...
... Othello's tragic predicament by tearing off the last shreds of his heroic per- sona . To become a tragic figure , Othello actually requires the baseness of the character who plots his downfall as well as the insignificance of the ...
Seite 147
... Othello's language as " more dan- gerously inflated than that of any other Shakespearean tragic hero " ( " Shake- speare's Bombast , " p . 159 ) . It would seem that Othello , as a theatrical score , relies on inflated rhetoric in ...
... Othello's language as " more dan- gerously inflated than that of any other Shakespearean tragic hero " ( " Shake- speare's Bombast , " p . 159 ) . It would seem that Othello , as a theatrical score , relies on inflated rhetoric in ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |