Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
Ergebnisse 1-3 von 34
Seite 39
The Example of Shakespeare Judd David Hubert. THREE Music and Framing in Twelfth Night Far from leading to permutations or transpositions as in Much Ado about Nothing , displacements in Twelfth Night remain more geo- metrical and static ...
The Example of Shakespeare Judd David Hubert. THREE Music and Framing in Twelfth Night Far from leading to permutations or transpositions as in Much Ado about Nothing , displacements in Twelfth Night remain more geo- metrical and static ...
Seite 51
... Twelfth Night's poetic overture . The overdetermination of porousness and framing in the comedy may compensate for ... Twelfth Night feel good , ” but hardly because of the joyous and liberating quality of the play , for “ much of our ...
... Twelfth Night's poetic overture . The overdetermination of porousness and framing in the comedy may compensate for ... Twelfth Night feel good , ” but hardly because of the joyous and liberating quality of the play , for “ much of our ...
Seite 144
... Twelfth Night " of Shakespeare's Audience . 2. Booth , " Twelfth Night : I.1 .: The Audience as Malvolio , ” p . 162 . 3. Ibid . 4. Ibid . 5. For an account of the comic possibilities of Olivia's behavior , see ibid . , P. 162 . 6. In ...
... Twelfth Night " of Shakespeare's Audience . 2. Booth , " Twelfth Night : I.1 .: The Audience as Malvolio , ” p . 162 . 3. Ibid . 4. Ibid . 5. For an account of the comic possibilities of Olivia's behavior , see ibid . , P. 162 . 6. In ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |