Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite
... become , or what will become once more , of that useless verb " to be , " which carved out so great a career for itself in the void . Paul Valéry ONE Metatheater and Performance This study features a performative as.
... become , or what will become once more , of that useless verb " to be , " which carved out so great a career for itself in the void . Paul Valéry ONE Metatheater and Performance This study features a performative as.
Seite 59
... become progressively more persuasive and poetic the more she moves away from her initial casting and into the role presently forced upon her , which she had deliberately tried to elude . Paradoxically , the prompting of Lucio leads her ...
... become progressively more persuasive and poetic the more she moves away from her initial casting and into the role presently forced upon her , which she had deliberately tried to elude . Paradoxically , the prompting of Lucio leads her ...
Seite 67
... become / A kneaded clod " ( III.i.119–21 ) . The love - death metaphor breaks down , at least for the moment , since ... becomes a bawd by means of an antithetical switch and thus undergoes a secularizing metamorphosis similar to that of ...
... become / A kneaded clod " ( III.i.119–21 ) . The love - death metaphor breaks down , at least for the moment , since ... becomes a bawd by means of an antithetical switch and thus undergoes a secularizing metamorphosis similar to that of ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |