Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 31
... behavior of Beatrice and Benedick . Some scholars have seen in Hero's production performed by an all - female cast a mere replica of Don Pedro's all - male performance.14 While they do repeat one another in content , method , and goal ...
... behavior of Beatrice and Benedick . Some scholars have seen in Hero's production performed by an all - female cast a mere replica of Don Pedro's all - male performance.14 While they do repeat one another in content , method , and goal ...
Seite 76
... behavior . The unwonted performative behavior of the various characters cor- relates with their preferences in style . Here again a brief comparison with French classicism may help bring out some of the puzzling styl- istic qualities ...
... behavior . The unwonted performative behavior of the various characters cor- relates with their preferences in style . Here again a brief comparison with French classicism may help bring out some of the puzzling styl- istic qualities ...
Seite 146
... behavior would seem to confirm that the dramatist has deliberately and system- atically reduced to performative and secular terms biblical and other reli- gious allusions repeated throughout the play and appearing initially in the title ...
... behavior would seem to confirm that the dramatist has deliberately and system- atically reduced to performative and secular terms biblical and other reli- gious allusions repeated throughout the play and appearing initially in the title ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |