Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 24
... brings home full numbers " ( 7-8 ) . By doubling itself , victory tends through increase to negate its essence , for ... bring to mind a figure or trope defined by French rhetoricians as comparaison rapportée , whereby each of the two ...
... brings home full numbers " ( 7-8 ) . By doubling itself , victory tends through increase to negate its essence , for ... bring to mind a figure or trope defined by French rhetoricians as comparaison rapportée , whereby each of the two ...
Seite 55
... bring to a conclusion the various scenarios he has set in motion . As dramatist , he makes the mistake of abandoning plots in mid - course . Furthermore , his brief and oblique acceptance speech brings up the issue of representation ...
... bring to a conclusion the various scenarios he has set in motion . As dramatist , he makes the mistake of abandoning plots in mid - course . Furthermore , his brief and oblique acceptance speech brings up the issue of representation ...
Seite 65
... brings out once again Angelo's mercenary bent , al- ludes to the parable of the talents , reminds the audience of his own base " mettle , " and prepares the illicit exchange that he will soon force upon Isabella . Throughout this scene ...
... brings out once again Angelo's mercenary bent , al- ludes to the parable of the talents , reminds the audience of his own base " mettle , " and prepares the illicit exchange that he will soon force upon Isabella . Throughout this scene ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |