Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Ergebnisse 1-3 von 21
Seite 31
... deliberately to defy verisimilitude . This double propensity makes perfect theatrical sense if we perceive it in ... deliberate prosiness of the first . And they relate one to another in the typical manner of counterpoint and exchange ...
... deliberately to defy verisimilitude . This double propensity makes perfect theatrical sense if we perceive it in ... deliberate prosiness of the first . And they relate one to another in the typical manner of counterpoint and exchange ...
Seite 83
... deliberate inappropriateness of the clichés suits the dramatist's purpose , for it provides an additional but hardly ... deliberately practice re- ductive methods , for their rhetoric has little to do with Desdemona's actual stage ...
... deliberate inappropriateness of the clichés suits the dramatist's purpose , for it provides an additional but hardly ... deliberately practice re- ductive methods , for their rhetoric has little to do with Desdemona's actual stage ...
Seite 118
... deliberately separating identity from act , he fabricates a false gap , because , unlike his gulls , the offstage audience immediately identifies Autolycus with his purported victim . His clever scenario , so typical of farce ...
... deliberately separating identity from act , he fabricates a false gap , because , unlike his gulls , the offstage audience immediately identifies Autolycus with his purported victim . His clever scenario , so typical of farce ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |