Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
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Seite 134
... dramatist , thriving on misdirection . While the frames in Twelfth Night do not possess such occult powers , for their manipulation in- volves mainly though not exclusively the scene , they reveal nonethe- less from a quite different ...
... dramatist , thriving on misdirection . While the frames in Twelfth Night do not possess such occult powers , for their manipulation in- volves mainly though not exclusively the scene , they reveal nonethe- less from a quite different ...
Seite 135
... dramatists and never departed from the function of prompter . Framing and unframing make their presence felt throughout the play and function aesthetically in a unique man- ner by providing stages for an overwhelmingly dominant dramatist ...
... dramatists and never departed from the function of prompter . Framing and unframing make their presence felt throughout the play and function aesthetically in a unique man- ner by providing stages for an overwhelmingly dominant dramatist ...
Seite 139
... dramatist has abundantly overburdened the events together with the characters ' reactions to them by means of a variety of performative metaphors . In short , an effective dramatist systematically translates everything derived from the ...
... dramatist has abundantly overburdened the events together with the characters ' reactions to them by means of a variety of performative metaphors . In short , an effective dramatist systematically translates everything derived from the ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |