Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 31
... exchange . Both plays make good use of rhetoric , unlike Borachio's malicious sce- nario , which consists in a deceptive exchange of names . While the first play relies mainly on hyperbole to produce an effect , the second draws its ...
... exchange . Both plays make good use of rhetoric , unlike Borachio's malicious sce- nario , which consists in a deceptive exchange of names . While the first play relies mainly on hyperbole to produce an effect , the second draws its ...
Seite 60
... exchange or substitution may go further than superficially sim- ilar reversals in Much Ado about Nothing , for it combines performa- tive exchange with a conceptual gap - the rift between potency and imprisonment . Thanks to Isabella's ...
... exchange or substitution may go further than superficially sim- ilar reversals in Much Ado about Nothing , for it combines performa- tive exchange with a conceptual gap - the rift between potency and imprisonment . Thanks to Isabella's ...
Seite 144
... exchange and then exchange again the roles of deceiver and deceived " ( p . 69 ) . This exchange of roles suggests the permu- tations involved in dancing . 14. Huston , in Shakespeare's Comedies of Play , says , “ this second scene of ...
... exchange and then exchange again the roles of deceiver and deceived " ( p . 69 ) . This exchange of roles suggests the permu- tations involved in dancing . 14. Huston , in Shakespeare's Comedies of Play , says , “ this second scene of ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |