Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 18
... fashion of a new dou- blet ” ( II.iii.14–17 ) . His alleged insomnia does not arise from amo- rous expectations but from artistic ardor in creative fashion design . Actually , the kind of substitution or misplacement of energy crit ...
... fashion of a new dou- blet ” ( II.iii.14–17 ) . His alleged insomnia does not arise from amo- rous expectations but from artistic ardor in creative fashion design . Actually , the kind of substitution or misplacement of energy crit ...
Seite 25
... fashion of his hat ; it ever changes with the next block ” ( I.i.66–67 ) . This accusation hardly seems to fit ... fashion , noted for sudden and unaccountable shifts . In fashion , we encounter another programmatic indication ...
... fashion of his hat ; it ever changes with the next block ” ( I.i.66–67 ) . This accusation hardly seems to fit ... fashion , noted for sudden and unaccountable shifts . In fashion , we encounter another programmatic indication ...
Seite 30
... fashion and even transformed this concept into a directing force capable of making its devotees obey its latest whim . Conrade's remark , " I see that the fashion wears out more apparel than the man " ( III.iii.129–30 ) echoes his ...
... fashion and even transformed this concept into a directing force capable of making its devotees obey its latest whim . Conrade's remark , " I see that the fashion wears out more apparel than the man " ( III.iii.129–30 ) echoes his ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |