Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 42
... frame . Beds , canopied in Elizabethan times , reinforce the ambiguity between nature and a room . More important still for my particular purpose , Orsino , in this opening scene , makes use of the key word for staging in Twelfth Night ...
... frame . Beds , canopied in Elizabethan times , reinforce the ambiguity between nature and a room . More important still for my particular purpose , Orsino , in this opening scene , makes use of the key word for staging in Twelfth Night ...
Seite 48
... frame , Olivia vicariously bursts out of her own self - imposed incarceration and attempts to bring Cesario within her orbit . For love to succeed , it must encom- pass the loved one with the set . The miniature as gift provides a re ...
... frame , Olivia vicariously bursts out of her own self - imposed incarceration and attempts to bring Cesario within her orbit . For love to succeed , it must encom- pass the loved one with the set . The miniature as gift provides a re ...
Seite 49
... frame of his own devising , to an inner stage where he casts himself as the star performer and from which he excludes all rivals . Other than himself and Olivia , he does not require an audience . For this reason among others , we can ...
... frame of his own devising , to an inner stage where he casts himself as the star performer and from which he excludes all rivals . Other than himself and Olivia , he does not require an audience . For this reason among others , we can ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |