Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 29
... hyperbole and , conversely , hyperbole to love : a vicious circle or , in more modern terms , a short circuit metamorphosed by the verbal twisting of love and hyperbole into a performative spiral . The inability to go beyond a single ...
... hyperbole and , conversely , hyperbole to love : a vicious circle or , in more modern terms , a short circuit metamorphosed by the verbal twisting of love and hyperbole into a performative spiral . The inability to go beyond a single ...
Seite 34
... hyperbole mark the entire scene , beginning with Hero's stage directions to Margaret : " When I do name him let it ... hyperbole moving in opposite directions . Hero relies once again on hyperbole in her comments on Beatrice : " But ...
... hyperbole mark the entire scene , beginning with Hero's stage directions to Margaret : " When I do name him let it ... hyperbole moving in opposite directions . Hero relies once again on hyperbole in her comments on Beatrice : " But ...
Seite 83
... hyperbole and per- sonification as though to point out that nature in its most treach- erous aspects ironically behaves far more kindly toward beauty than will Iago and Othello . Although Cassio unwittingly adheres to the thematics of a ...
... hyperbole and per- sonification as though to point out that nature in its most treach- erous aspects ironically behaves far more kindly toward beauty than will Iago and Othello . Although Cassio unwittingly adheres to the thematics of a ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |