Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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... King and himself within the audience , appears to show : " The oldest hath borne most ; we that are young - Shall never see so much , nor live so long " ( V.iii.326–27 ) . In this particular instance , a self - referential theatrical ...
... King and himself within the audience , appears to show : " The oldest hath borne most ; we that are young - Shall never see so much , nor live so long " ( V.iii.326–27 ) . In this particular instance , a self - referential theatrical ...
Seite 104
... king's anteced- ent play , which , obviously , he had never intended for public perfor- mance , has provided him not only with a crown and a queen , but also with an indelible , if at first unwritten , text capable of blasting his ...
... king's anteced- ent play , which , obviously , he had never intended for public perfor- mance , has provided him not only with a crown and a queen , but also with an indelible , if at first unwritten , text capable of blasting his ...
Seite 160
... King Lear , 2 , 3 , 10 , 77 , 84 , 134 , 136 , 137 Shakespeare : The Life of King Henry the Fifth , 27 , 145 Shakespeare : Macbeth , 1 , 8 , 77 , 136 Shakespeare : Measure for Measure , 12 , 13 , 26 , 53-70 , 71 , 72 , 82 , 134 , 136 ...
... King Lear , 2 , 3 , 10 , 77 , 84 , 134 , 136 , 137 Shakespeare : The Life of King Henry the Fifth , 27 , 145 Shakespeare : Macbeth , 1 , 8 , 77 , 136 Shakespeare : Measure for Measure , 12 , 13 , 26 , 53-70 , 71 , 72 , 82 , 134 , 136 ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |