Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 31
The Example of Shakespeare Judd David Hubert. lead to negation or contradiction , no more than would a change or a reversal ... leads automatically to a switch , where the perpetrator becomes in turn the victim of a sting . Much Ado about ...
The Example of Shakespeare Judd David Hubert. lead to negation or contradiction , no more than would a change or a reversal ... leads automatically to a switch , where the perpetrator becomes in turn the victim of a sting . Much Ado about ...
Seite 37
... leads him to reject all performances smacking of inauthenticity : Give not me counsel , Nor let no comforter delight mine ear But such a one whose wrongs do suit with mine . ( V.i.5-7 ) As counselor and consoler , only a double , only a ...
... leads him to reject all performances smacking of inauthenticity : Give not me counsel , Nor let no comforter delight mine ear But such a one whose wrongs do suit with mine . ( V.i.5-7 ) As counselor and consoler , only a double , only a ...
Seite 64
... leads toward internal and verbal upheaval . Even gravity , the term most appropri- ate to Angelo's forsaken role as rigorist , remembers , by this recurrent movement toward concretion , its etymology . His gravity thus mate- rialized ...
... leads toward internal and verbal upheaval . Even gravity , the term most appropri- ate to Angelo's forsaken role as rigorist , remembers , by this recurrent movement toward concretion , its etymology . His gravity thus mate- rialized ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |