Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 25
... mainly to comple- ment and counterpoise each other . In disparaging her nemesis , Beatrice solidly establishes the various themes , metaphors , and tropes that through recurrence will give unity and coherence to the comedy . She decries ...
... mainly to comple- ment and counterpoise each other . In disparaging her nemesis , Beatrice solidly establishes the various themes , metaphors , and tropes that through recurrence will give unity and coherence to the comedy . She decries ...
Seite 31
... mainly narrated : Borachio's and the friar's . Moreover , the two plays so ably directed by the prince narrate several imaginary scenes re- counting the passionate behavior of Beatrice and Benedick . Some scholars have seen in Hero's ...
... mainly narrated : Borachio's and the friar's . Moreover , the two plays so ably directed by the prince narrate several imaginary scenes re- counting the passionate behavior of Beatrice and Benedick . Some scholars have seen in Hero's ...
Seite 104
... mainly in the appreciation of a performance ; and the " truth " about Hamlet , about Claudius , about the Ghost , may come down to an awareness of the performative functions of the text as revealed mainly by verbal relationships . For ...
... mainly in the appreciation of a performance ; and the " truth " about Hamlet , about Claudius , about the Ghost , may come down to an awareness of the performative functions of the text as revealed mainly by verbal relationships . For ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |