Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
Ergebnisse 1-3 von 42
Seite 12
... means for capturing , subordinating , and finally sacrificing the everyday world for the sake of artistic tri- umph . I realize that such aesthetic imperatives or , worse still , imperi- alism may strike not only new historicists but ...
... means for capturing , subordinating , and finally sacrificing the everyday world for the sake of artistic tri- umph . I realize that such aesthetic imperatives or , worse still , imperi- alism may strike not only new historicists but ...
Seite 74
... means and results , the reversal of his fortunes can readily compare with that of any other tragic protagonist , including Oedipus . The Moor suffers from no other weakness than a strange discrep- ancy within himself , which makes him ...
... means and results , the reversal of his fortunes can readily compare with that of any other tragic protagonist , including Oedipus . The Moor suffers from no other weakness than a strange discrep- ancy within himself , which makes him ...
Seite 109
... means of this es- sentially verbal device , a theoretical mise en abyme of all theater somehow coincides with a symbolic representation of The Winter's Tale . But Time does even more than remind the audience of events previously ...
... means of this es- sentially verbal device , a theoretical mise en abyme of all theater somehow coincides with a symbolic representation of The Winter's Tale . But Time does even more than remind the audience of events previously ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |