Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 78
... narrative verges on the in- credible : " Sweet Desdemona , Let us be wary , let us hide our loves ! " And then sir , would he gripe and wring my hand , Cry , " O sweet creature ! " and then kiss me hard , As if he plucked up kisses by ...
... narrative verges on the in- credible : " Sweet Desdemona , Let us be wary , let us hide our loves ! " And then sir , would he gripe and wring my hand , Cry , " O sweet creature ! " and then kiss me hard , As if he plucked up kisses by ...
Seite 85
... narrative by exclaiming , " O bloody pe- riod ! ” ( V.ii.357 ) , and Gratiano adds , " All that is spoke is marr'd . " As a preamble to his final speech , Othello , a spinner and victim of fables , had movingly but somewhat ironically ...
... narrative by exclaiming , " O bloody pe- riod ! ” ( V.ii.357 ) , and Gratiano adds , " All that is spoke is marr'd . " As a preamble to his final speech , Othello , a spinner and victim of fables , had movingly but somewhat ironically ...
Seite 87
... narrative . He may very well have invented the story on the spur of the moment just to terrorize his wife , for if true the tale would confirm Brabantio's worst suspicions about the Moor's use of black magic in seducing his daughter ...
... narrative . He may very well have invented the story on the spur of the moment just to terrorize his wife , for if true the tale would confirm Brabantio's worst suspicions about the Moor's use of black magic in seducing his daughter ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |