Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
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Seite 33
... once again the chiasmus and the hyperbole suggested in the title . Indeed , the two plays combine with one another in the way feminine grace in dancing harmonizes with the bounding steps of men who in such dances as the lavolta , the ...
... once again the chiasmus and the hyperbole suggested in the title . Indeed , the two plays combine with one another in the way feminine grace in dancing harmonizes with the bounding steps of men who in such dances as the lavolta , the ...
Seite 41
... once a day casting " eye - offending brine " in lieu of rays . Food surfaces once again by means of a pun on " sea- son . " 3 " If music be the food of love , " then indeed the brine of tears will enable her to preserve a dead love ...
... once a day casting " eye - offending brine " in lieu of rays . Food surfaces once again by means of a pun on " sea- son . " 3 " If music be the food of love , " then indeed the brine of tears will enable her to preserve a dead love ...
Seite 134
... Once again such seemingly superficial and tangential elements as framing and unframing , in this instance directly connected with the machinery of stage production rather than with performances only indirectly associated with drama ...
... Once again such seemingly superficial and tangential elements as framing and unframing , in this instance directly connected with the machinery of stage production rather than with performances only indirectly associated with drama ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |