Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 3
... particular instance , a self - referential theatrical image intensifies and brings artistic closure to the story . Such meta- dramatic exchanges between protagonist and audience appear to en- courage in the latter a more active ...
... particular instance , a self - referential theatrical image intensifies and brings artistic closure to the story . Such meta- dramatic exchanges between protagonist and audience appear to en- courage in the latter a more active ...
Seite 118
... particular play with evil - with the Fall . Shakespeare has paradoxically entrusted a scoundrel , who re- peatedly designates himself as such , with a mission better suited to a virtuous and disinterested character . True , Autolycus ...
... particular play with evil - with the Fall . Shakespeare has paradoxically entrusted a scoundrel , who re- peatedly designates himself as such , with a mission better suited to a virtuous and disinterested character . True , Autolycus ...
Seite 145
... particular ( p . 33 ) . II . Notably in the Prologue to The Life of King Henry the Fifth . 12. For a discussion of epiphany , see Hartman , “ Shakespeare's Poetical Character , " p . 51. Maurice Charney has provided an illuminating ...
... particular ( p . 33 ) . II . Notably in the Prologue to The Life of King Henry the Fifth . 12. For a discussion of epiphany , see Hartman , “ Shakespeare's Poetical Character , " p . 51. Maurice Charney has provided an illuminating ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |