Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
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Seite 2
... poetic interpenetration . Theater constantly produces double images by combining overt mimetic representations of the story with covert performative and metadramatic clues pointing to its own operations at the risk of under- mining or ...
... poetic interpenetration . Theater constantly produces double images by combining overt mimetic representations of the story with covert performative and metadramatic clues pointing to its own operations at the risk of under- mining or ...
Seite 51
... poetic overture . The overdetermination of porousness and framing in the comedy may compensate for the inevitable shortcomings , noted elsewhere by Shakespeare himself , in the props and scenery of Elizabethan stag- ing . " By ...
... poetic overture . The overdetermination of porousness and framing in the comedy may compensate for the inevitable shortcomings , noted elsewhere by Shakespeare himself , in the props and scenery of Elizabethan stag- ing . " By ...
Seite 77
... poetic modes ; and the villain by frequently using it in conjunction with his shrewd analysis and jaundiced view of human conduct provides satire with a corroborative if not an objective correlative . Shakespeare has en- dowed his ...
... poetic modes ; and the villain by frequently using it in conjunction with his shrewd analysis and jaundiced view of human conduct provides satire with a corroborative if not an objective correlative . Shakespeare has en- dowed his ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |