Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
Ergebnisse 1-3 von 38
Seite 12
... provide three of the most frequently used and effective devices enabling literature to hold its own against the inroads of daily exis- tence . And perhaps performance , far from conforming to a referent outside itself , provides the ...
... provide three of the most frequently used and effective devices enabling literature to hold its own against the inroads of daily exis- tence . And perhaps performance , far from conforming to a referent outside itself , provides the ...
Seite 18
... provides visible and , better still , performative signs of love . Claudio's conversion from warrior to lover strikes Benedick as a sartorial permutation : " I have known when he would have walked ten mile afoot to see a good armor ...
... provides visible and , better still , performative signs of love . Claudio's conversion from warrior to lover strikes Benedick as a sartorial permutation : " I have known when he would have walked ten mile afoot to see a good armor ...
Seite 78
... provides the dreamer with a full- blown scenario , wherein poor Cassio , substituting his unlikely bed- fellow for chaste and beautiful Desdemona , demonstrates in words and gesture his carnal passion . Moreover , Iago has succeeded in ...
... provides the dreamer with a full- blown scenario , wherein poor Cassio , substituting his unlikely bed- fellow for chaste and beautiful Desdemona , demonstrates in words and gesture his carnal passion . Moreover , Iago has succeeded in ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |