Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 29
... repeats in his own reluctant manner the interlocking title while stating his refusal or perhaps his inability to perform . Strange as this may seem , his pro- jected revenge , as stated by Borachio , compounds permutation , which in ...
... repeats in his own reluctant manner the interlocking title while stating his refusal or perhaps his inability to perform . Strange as this may seem , his pro- jected revenge , as stated by Borachio , compounds permutation , which in ...
Seite 33
... repeats once again the chiasmus and the hyperbole suggested in the title . Indeed , the two plays combine with one another in the way feminine grace in dancing harmonizes with the bounding steps of men who in such dances as the lavolta ...
... repeats once again the chiasmus and the hyperbole suggested in the title . Indeed , the two plays combine with one another in the way feminine grace in dancing harmonizes with the bounding steps of men who in such dances as the lavolta ...
Seite 105
... repeat and gloss until his last breath . He has , in addi- tion , put himself in a situation whereby he must come to terms ... repeats itself , for the generating crime has compounded the falsity of all representations and substituted ...
... repeat and gloss until his last breath . He has , in addi- tion , put himself in a situation whereby he must come to terms ... repeats itself , for the generating crime has compounded the falsity of all representations and substituted ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |