Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 69
... respect an invariable and unvarying spectacle that would force the play to come to a slightly premature stop . And Duke Vincentio , as soon as his two antithetical roles merge once and for all , imposes a temporary stasis by ...
... respect an invariable and unvarying spectacle that would force the play to come to a slightly premature stop . And Duke Vincentio , as soon as his two antithetical roles merge once and for all , imposes a temporary stasis by ...
Seite 114
... respect of his subjects , notably of the irrepressible Paulina . When he publicly calls his wife an adulteress , the nobles hy- perbolically express their disagreement . One courtier asserts , " I dare my life lay down ” ( II.i.130 ) ...
... respect of his subjects , notably of the irrepressible Paulina . When he publicly calls his wife an adulteress , the nobles hy- perbolically express their disagreement . One courtier asserts , " I dare my life lay down ” ( II.i.130 ) ...
Seite 146
... respect , he is like Shake- speare's English kings , " ( Shakespeare and the Dramaturgy , p . 167 ) . As Cox insists that Vincentio favors the new law ( of mercy ) as opposed to the old , advocated by Angelo ( p . 165 ) , his ...
... respect , he is like Shake- speare's English kings , " ( Shakespeare and the Dramaturgy , p . 167 ) . As Cox insists that Vincentio favors the new law ( of mercy ) as opposed to the old , advocated by Angelo ( p . 165 ) , his ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |