Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Ergebnisse 1-3 von 47
Seite 60
... role of re- sponsible judge and , instead of acting in his own name , substitutes an abstraction : " It is the law , not I , condemn your brother " ( II.ii.80 ) . This prudent retreat coincides no doubt with his own incipient con ...
... role of re- sponsible judge and , instead of acting in his own name , substitutes an abstraction : " It is the law , not I , condemn your brother " ( II.ii.80 ) . This prudent retreat coincides no doubt with his own incipient con ...
Seite 64
... role as rigorist , remembers , by this recurrent movement toward concretion , its etymology . His gravity thus mate- rialized and transformed into spectacle changes into a role reminis- cent of that of a costumed courtier . Not ...
... role as rigorist , remembers , by this recurrent movement toward concretion , its etymology . His gravity thus mate- rialized and transformed into spectacle changes into a role reminis- cent of that of a costumed courtier . Not ...
Seite 100
... role . Hamlet clearly places the solution to all his problems within the confines of a stage and a script , just as ... role and style of acting in which he normally excels . In his shocked acceptance of the role of avenger , 100 Hamlet.
... role . Hamlet clearly places the solution to all his problems within the confines of a stage and a script , just as ... role and style of acting in which he normally excels . In his shocked acceptance of the role of avenger , 100 Hamlet.
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |