Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 39
... separations , and transgressions mark the relationships among the various characters as though the setting or shaping of ... separation or im- prisonment.1 While metaphorical framing and verbal interpenetra- tion pervade the entire play ...
... separations , and transgressions mark the relationships among the various characters as though the setting or shaping of ... separation or im- prisonment.1 While metaphorical framing and verbal interpenetra- tion pervade the entire play ...
Seite 41
... separation . It would seem , moreover , that the duke , bereft in his amorous pursuit of two of his five senses - the two most closely involved with mastering space - must , in frustration , make the most of the remaining three ...
... separation . It would seem , moreover , that the duke , bereft in his amorous pursuit of two of his five senses - the two most closely involved with mastering space - must , in frustration , make the most of the remaining three ...
Seite 108
... separation : a dominant metaphor and theme through- out the romance . Moreover , critics have pondered the meaning of " untried ; " and Kittredge aptly defines it as : " untouched in presenta- tion . " 4 This lack of presentation as ...
... separation : a dominant metaphor and theme through- out the romance . Moreover , critics have pondered the meaning of " untried ; " and Kittredge aptly defines it as : " untouched in presenta- tion . " 4 This lack of presentation as ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |