Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 79
... speech before the duke . Moreover , the villain pointedly reveals , as though the audience had not already noticed it , the cleavage between the conquering general's fic- tional representations and his visible image or stage presence ...
... speech before the duke . Moreover , the villain pointedly reveals , as though the audience had not already noticed it , the cleavage between the conquering general's fic- tional representations and his visible image or stage presence ...
Seite 85
... speech ; even in his suicide , Othello re- sorts to a device reminiscent of Iago's habitual trickery . The Moor narrates for the last time one of his real or imaginary adventures so as to divert his attentive guardians , and at the ...
... speech ; even in his suicide , Othello re- sorts to a device reminiscent of Iago's habitual trickery . The Moor narrates for the last time one of his real or imaginary adventures so as to divert his attentive guardians , and at the ...
Seite 94
... speech acts , quite foreign to it . We might also define military commands as a sort of dress rehearsal for war , or at least for the di- rect enforcement of political power . The many moral lessons thoughout the play relate in a ...
... speech acts , quite foreign to it . We might also define military commands as a sort of dress rehearsal for war , or at least for the di- rect enforcement of political power . The many moral lessons thoughout the play relate in a ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |