Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 45
... stage directions seem most inappropriate , his apprecia- tion of Cesario would appear to echo the comments of some hypo- thetical stage director elated at having discovered the youth most ca- pable of assuming the part of Viola . In any ...
... stage directions seem most inappropriate , his apprecia- tion of Cesario would appear to echo the comments of some hypo- thetical stage director elated at having discovered the youth most ca- pable of assuming the part of Viola . In any ...
Seite 49
... stage where he casts himself as the star performer and from which he excludes all rivals . Other than himself and Olivia , he does not require an audience . For this reason among others , we can see in him an enemy not only of dis ...
... stage where he casts himself as the star performer and from which he excludes all rivals . Other than himself and Olivia , he does not require an audience . For this reason among others , we can see in him an enemy not only of dis ...
Seite 56
... stage to stage , His Grace Duke Vin- centio preserves his theatrical integrity while improvising a new part and assuming a new dramatic function . By burdening Angelo with the semblance of temporal power , the duke facilitates the ...
... stage to stage , His Grace Duke Vin- centio preserves his theatrical integrity while improvising a new part and assuming a new dramatic function . By burdening Angelo with the semblance of temporal power , the duke facilitates the ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |