Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
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Seite 136
... success . The Moor actually owes his downfall to freedom rather than constraint . The author may have given him too much rope in- stead of tying him down from the very beginning . And only Shake- speare , who knew how to take full ...
... success . The Moor actually owes his downfall to freedom rather than constraint . The author may have given him too much rope in- stead of tying him down from the very beginning . And only Shake- speare , who knew how to take full ...
Seite 137
... success on systematic and parallel reductions of an epic universe , whereby one performative mode parasitizes and de- molishes another . King Lear , probably the most harrowing tragedy ever composed , succeeds in a very different but ...
... success on systematic and parallel reductions of an epic universe , whereby one performative mode parasitizes and de- molishes another . King Lear , probably the most harrowing tragedy ever composed , succeeds in a very different but ...
Seite 155
... Success of Much Ado about Nothing . " In Twentieth- Century Interpretations of " Much Ado about Nothing . " Englewood Cliffs , N. J .: Prentice - Hall , 1969 . Thomas , Vivian . The Moral Universe of Shakespeare's Problem Plays . Lon ...
... Success of Much Ado about Nothing . " In Twentieth- Century Interpretations of " Much Ado about Nothing . " Englewood Cliffs , N. J .: Prentice - Hall , 1969 . Thomas , Vivian . The Moral Universe of Shakespeare's Problem Plays . Lon ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |