Metatheater: The Example of ShakespeareUniversity of Nebraska Press, 1991 - 161 Seiten |
Im Buch
Ergebnisse 1-3 von 16
Seite 16
... suggests various semantic possibilities , including metaphysical meanings pertaining to artistic creation.1 To complicate matters , critics have insisted on the pun on " noting , " pronounced in Shakespeare's day in the same way as ...
... suggests various semantic possibilities , including metaphysical meanings pertaining to artistic creation.1 To complicate matters , critics have insisted on the pun on " noting , " pronounced in Shakespeare's day in the same way as ...
Seite 20
... suggest that the world itself must , for successful wooing , conform to a whirl - undoubtedly a feature of the Scotch ... suggests the stately dance des- ignated by that name — a dance probably featured in the masked ball as conducive to ...
... suggest that the world itself must , for successful wooing , conform to a whirl - undoubtedly a feature of the Scotch ... suggests the stately dance des- ignated by that name — a dance probably featured in the masked ball as conducive to ...
Seite 133
... suggest that the author has endeavored to explore and exploit in terms of spectacle an imaginary and marginal space where drama , music , and dance would finally merge . Marginality by no means implies superficiality , but suggests ...
... suggest that the author has endeavored to explore and exploit in terms of spectacle an imaginary and marginal space where drama , music , and dance would finally merge . Marginality by no means implies superficiality , but suggests ...
Inhalt
Metatheater and Performance I | 1 |
Verbal Choreography and Metaphorical Space in Much Ado about Nothing | 15 |
Music and Framing in Twelfth Night | 39 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor aesthetic Angelo appear audience Autolycus Beatrice behavior Benedick Borachio's Cassio casting characters chiasmus Claudio cleavage comedy comic critics dancing deconstructive demona Desdemona Différance dilation displacement dramatic dramatist duke elusion epic exchange farcical fashion fiction frame fugal interplay function gull Hamlet Hero Hero's hyperbole Iago Iago's illusion insists instance Isabella king language leads Leonato Leontes less mainly Malvolio mance means Measure for Measure ment metadramatic metaphor metatheater metonymic mimesis mise en abyme Moreover narrative nonetheless Olivia Orsino Othello overdetermination Pandosto Paradoxically Perdita performative perhaps peripeteia permutation player plot poetic Polixenes Polonius poststructural prince protagonist provides representation reversal rhetoric role satire scenario scene script sense Shakespeare shows Sir Toby spectacle spectators speech stage directions stage presence substitution switch synesthesia textual theater theatrical thou throughout the play tion tragedy tragic transforms Twelfth Night unfolding verbal villain Vincentio Viola Winter's Tale words
Verweise auf dieses Buch
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray Keine Leseprobe verfügbar - 1996 |
Stages of Play: Shakespeare's Theatrical Energies in Elizabethan Performance Michael W. Shurgot,Margaret E. Owens Eingeschränkte Leseprobe - 1998 |