Memorials of Shakspeare: Or, Sketches of His Character and GeniusAMS, 1972 - 494 Seiten |
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Seite 78
... scene and scene ; for where there were no acts or scenes , it was impossible rigidly to observe its laws . To overcome these difficulties , the judg- ment and great genius of the ancients supplied music , and with the charms of their ...
... scene and scene ; for where there were no acts or scenes , it was impossible rigidly to observe its laws . To overcome these difficulties , the judg- ment and great genius of the ancients supplied music , and with the charms of their ...
Seite 238
... scene of Talbot and his son , re- fusing to quit each other , and determined to perish together ; a scene as simple as it is sublime , where the grandeur of the sentiment , and the vigorous conciseness of the language , rival the purest ...
... scene of Talbot and his son , re- fusing to quit each other , and determined to perish together ; a scene as simple as it is sublime , where the grandeur of the sentiment , and the vigorous conciseness of the language , rival the purest ...
Seite 387
... scene , in the fifth act , " observes M. Egestorf , " from which we are to learn the moral of this tra- gedy ; a scene that has been considered as an exuberant ex- crescence , which , however , appears to be a chief corner - stone of ...
... scene , in the fifth act , " observes M. Egestorf , " from which we are to learn the moral of this tra- gedy ; a scene that has been considered as an exuberant ex- crescence , which , however , appears to be a chief corner - stone of ...
Inhalt
PART | 8 |
Genius | 53 |
On the Characteristics of Shakspeare COLERIDGE | 73 |
Urheberrecht | |
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admiration ancient appears Banquo bard beauty Ben Jonson Caliban character comic criticism death delight delineation Desdemona drama dramatic poet edition effect England English Eschylus excellence exhibited expression Falstaff fancy feel genius of Shakspeare ghost give Greek Hamlet heart Henry Homer human humour Iago imagination impression Johnson JOSEPH WARTON Julius Cæsar king KING LEAR Lady Macbeth language Lear less literature Macbeth Malone manner mind moral murder nature never noble object observed Ophelia Othello passion perfect perhaps pieces pity play poet poetical poetry possess produced racter reader remarkable Richard Richard III Romeo and Juliet scarcely scene Schlegel seems sentiments Shak Shakspeare Shakspeare's Sophocles soul speare spectators spirit stage Steevens striking style sublime taste theatre thee thing thou thought tion tragedy tragic Troilus and Cressida truth unity Voltaire whilst whole words writers written