The Works of William ShakespeareMacmillan, 1866 |
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Seite ix
... bears the following imprint : Printed at London by Thomas Cotes , 1635 . The play of Pericles was not included in either the first or the second Folio . It was however reprinted , together with other plays wrongly attributed to ...
... bears the following imprint : Printed at London by Thomas Cotes , 1635 . The play of Pericles was not included in either the first or the second Folio . It was however reprinted , together with other plays wrongly attributed to ...
Seite xi
... bears this imprint : LONDON | Printed by I. H. | for Iohn Harison . | 1600. | In the Bodleian copy the title - page is supplied in manuscript . This edition was printed from Q ,. It contains many 9 , erroneous readings , due , it would ...
... bears this imprint : LONDON | Printed by I. H. | for Iohn Harison . | 1600. | In the Bodleian copy the title - page is supplied in manuscript . This edition was printed from Q ,. It contains many 9 , erroneous readings , due , it would ...
Seite xviii
... bear the same date 1609 , which is that of the first edition of the Sonnets . But in another copy of the first volume only , which is in the Bodleian , the title - pages bear different dates and are in other respects different , though ...
... bear the same date 1609 , which is that of the first edition of the Sonnets . But in another copy of the first volume only , which is in the Bodleian , the title - pages bear different dates and are in other respects different , though ...
Seite xxiii
... bear in mind that rules are good servants but bad masters , and that high above all rules stands the golden rule of modera- tion dictated by common sense . 4. While dealing freely with the spelling , we have desired to leave intact the ...
... bear in mind that rules are good servants but bad masters , and that high above all rules stands the golden rule of modera- tion dictated by common sense . 4. While dealing freely with the spelling , we have desired to leave intact the ...
Seite 11
... 3. Mes . F , F2 3 Mess . F3F4 . 115-117 . In ... bears . ] As in Pope . Three lines , ending sicknesse , ... serious , ... beares , in Ff . Her length of sickness , with what else more serious SCENE II . ] ANTONY AND CLEOPATRA . II.
... 3. Mes . F , F2 3 Mess . F3F4 . 115-117 . In ... bears . ] As in Pope . Three lines , ending sicknesse , ... serious , ... beares , in Ff . Her length of sickness , with what else more serious SCENE II . ] ANTONY AND CLEOPATRA . II.
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Anon Antony Bawd beauty Becket conj Boult Cæs Cæsar Capell conj Char Charmian Cleo Cleopatra Cloten Collier conj Cymbeline dead death Dionyza Divided dost doth Dyce edition ends the lines England's Helicon Enobarbus Enter Eros Exeunt Exit eyes F₁ F₂ fair fear friends Gildon gods GUIDERIUS Hanmer hath hear heart heaven honour Hyphened by Malone Iach Iachimo Imogen Iras Jackson conj Johnson conj Keightley king lady line ends line in Ff line in Rowe Lintott and Gildon look lord love's Lucrece Lysimachus madam Malone Capell Malone conj Mark Antony mistress Mytilene night pell Pericles Pisanio Pompey Pope Posthumus pray Prince of Tyre Prose in Ff Prose in QqF3F4 Q₁ Q₁Q₂Q3 Q₂Q3 QqF3 queen Re-enter reading rest SCENE Sewell Shakespeare shame speak Steevens conj sweet thee Theobald thine thou art Walker conj Warburton ΙΟ