Particular Saints: Shakespeare's Four Antonios, Their Contexts, and Their PlaysUniversity of Delaware Press, 1997 - 250 Seiten Why do characters named Antonio proliferate on the English Renaissance stage? Why are they so often paired with other characters named Sebastian? And more significantly, why are they repeatedly characterized by Shakespeare and his contemporaries as fools for love? Particular Saints draws on church history, art history, and theater history to address these questions by illustrating that Renaissance stage Antonios are a type, representing a tradition familiar to early modern audiences and exploited by Shakespeare in portraying his four major characters named Antonio. Such characters ultimately derive from the rich medieval iconography and hagiography of Saint Anthony of Egypt. How this knowledge reinforms our late-twentieth-century understanding of the four plays in question is addressed in separate chapters that range widely across each work: The Merchant of Venice, Twelfth Night, Antony and Cleopatra, and The Tempest. |
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Seite 14
... hagiography and iconography of Saint Anthony of Egypt , as they made their precarious way through the transforming fires of the English Reformation . Thus they earn their title " particular saints . " So , too , characters named Sebas ...
... hagiography and iconography of Saint Anthony of Egypt , as they made their precarious way through the transforming fires of the English Reformation . Thus they earn their title " particular saints . " So , too , characters named Sebas ...
Seite 22
... hagiography surrounding Saint Anthony of Egypt as it developed from the Middle Ages into the Renaissance and Reformation.5 Reference to this hagiographic tradition — to both its litera- ture and its art — can account for much about ...
... hagiography surrounding Saint Anthony of Egypt as it developed from the Middle Ages into the Renaissance and Reformation.5 Reference to this hagiographic tradition — to both its litera- ture and its art — can account for much about ...
Seite 23
... hagiographic tradition , then , Saint Anthony is characterized as a type of Pauline wise fool by his scorn for this world , his self - sacrifice , and his piety , traits that other accounts of his life stress from the fifth century on.8 ...
... hagiographic tradition , then , Saint Anthony is characterized as a type of Pauline wise fool by his scorn for this world , his self - sacrifice , and his piety , traits that other accounts of his life stress from the fifth century on.8 ...
Seite 27
... hagiography , in turn , was made considerably richer and more complex than earlier medieval leg- ends about the saint , largely because of his gradual association with two other figures — Saint Sebastian and Christ . Furthermore , the ...
... hagiography , in turn , was made considerably richer and more complex than earlier medieval leg- ends about the saint , largely because of his gradual association with two other figures — Saint Sebastian and Christ . Furthermore , the ...
Seite 28
... hagiography . And the history of Saint Anthony's hospi- tals in late fifteenth - century Europe begins to explain how this hagiogra- phy made its way into the drama , partly by way of Northern humanists like More . Because of Saint ...
... hagiography . And the history of Saint Anthony's hospi- tals in late fifteenth - century Europe begins to explain how this hagiogra- phy made its way into the drama , partly by way of Northern humanists like More . Because of Saint ...
Inhalt
| 20 | |
A foolish consistency Antonio and Alienation in The Merchant of Venice | 51 |
Willing love Antonio Viola and Epiphany in Twelfth Night | 88 |
The worlds great snare Antony Cleopatra and Game | 116 |
Prosperos false brother Shakespeares Final Antonio | 154 |
No way out but through Shakespeares Antonios and the Wisdom of This World | 186 |
Notes | 193 |
Bibliography | 229 |
Index | 241 |
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Häufige Begriffe und Wortgruppen
alien ambiguity Anthony of Egypt Anto Antonio and Sebastian Antony and Cleopatra Antony's appear argue Ariel artists audience audience's Bassanio behavior Caesar Caliban characterization characters named Antonio charity choice Christ context Corballis critics demons disguise Dolabella duke earlier earthly Elizabethan emblem English Renaissance Enobarbus Enobarbus's Epiphany Essays example feelings Ferdinand Feste Feste's final foolish Gratiano Grünewald hagiography human iconography ideal identity instance irony Isenheim Altarpiece judgment language Malvolio Mark Antony meaning medieval Merchant of Venice mercy Miranda Montaigne moral More's motives nature Olivia Orsino paradoxically play's Portia pride problem Prospero question Renaissance Drama Renaissance stage Antonios revenge Saint Anthony Saint Play Saint Sebastian saintly secular seems sense Shakespeare Quarterly Shylock sixteenth century spiritual suggests Tempest temptation tempted theatrical thou tion trial scene truth Twelfth Night University Press Viola Viola/Cesario Virgin virtue William Shakespeare wisdom wise folly wise fool words worldly York
Beliebte Passagen
Seite 168 - O, wonder ! How many goodly creatures are there here ! How beauteous mankind is ! O brave new world, That has such people in't ! Pros.
Seite 148 - And there appeared a great wonder in heaven ; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars.
Seite 161 - O, it is monstrous! monstrous! Methought, the billows spoke, and told me of it; The winds did sing it to me; and the thunder, That deep and dreadful organ-pipe, pronounc'd The name of Prosper; it did bass my trespass. Therefore my son i" the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
Seite 62 - I hold the world but as the world, Gratiano ; A stage, where every man must play a part, And mine a sad one.
Seite 126 - The loyalty well held to fools does make Our faith mere folly : yet he that can endure To follow with allegiance a fall'n lord Does conquer him that did his master conquer, And earns a place i
Seite 99 - And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art; For folly that he wisely shows is fit; But wise men, folly-fallen, quite taint their wit.
Seite 119 - Upon a tawny front : his captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper, And is become the bellows and the fan To cool a gipsy's lust.
Seite 103 - I think nobly of the soul, and no way approve his opinion. 60 Clo. Fare thee well. Remain thou still in darkness: thou shalt hold the opinion of Pythagoras ere I will allow of thy wits, and fear to kill a woodcock, lest thou dispossess the soul of thy grandam. Fare thee well.
Seite 54 - I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn ; And such a want-wit sadness makes of me, That I have much ado to know myself. Solar. Your mind is tossing on the ocean ; There, where your argosies...