Self-fashioning and Reflexive Modernity in Modern Chinese Poetry, 1919-1949, Band 36Ed. Mellen Press, 2004 - 267 Seiten This study explores diverse modes of self-fashioning in the discursive formation of Chinese modernity between 1919 and 1949 in modern Chinese poetry. |
Inhalt
Chapter One | 15 |
Chapter Two | 85 |
Chapter Three | 149 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
aesthetic banal Baudelaire Baudelaire's beauty become birth blood bodily butterfly Calinescu China Chinese literature Chinese modernity chubanshe cold concept consciousness cosmic cosmos created creation creative crisis Dai Wangshu Dai's poetry dark discourse discussion Dowson dream emergence enlightenment entire universe everyday evoke experience external eyes feminine floral flowers Foucault fragments function Guo Moruo Guo's heart historical Hu Shi ideal illumination individual Jammes Jinfa Jinfa's poetry Li Dazhao Li Jinfa Li's libidinal energy light living Lu Xun lyric maturity memory narrative metaphorical mirror mnemonic modern Chinese literature modern Chinese poetry modernist moon mourning movement Mu Dan narcissistic national identity nature Nietzsche night pantheism paradigm particular past poem poet poetic progress radical remembered self-fashioning self-sacrifice selfhood sense sensibility severed finger Shi Zhecun Sky Dog sleep spatial Spleen swallowing Symbolist textual tradition Trans transformation trope Verlaine Wangshu Wen Yiduo woman Xu Zhimo Zhou Zuoren Zhu Ziqing