CR. The Centennial Review, Band 32Michigan State University, College of Arts & Letters, 1988 |
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Seite 172
... echo of Claude but a recall of his ethos , was common in many of the landscapes Blake would know . Constable also used the echo that way . ) But the Frontispiece from Innocence , with the same framing schema , the same thrust toward a ...
... echo of Claude but a recall of his ethos , was common in many of the landscapes Blake would know . Constable also used the echo that way . ) But the Frontispiece from Innocence , with the same framing schema , the same thrust toward a ...
Seite 176
... echo of the universal mourning that begins in a pastoral elegy after the death of the beloved swain . There is , however , no equivalent tragedy in Philips ' imita- tion , no loss of such a magnitude that it would dim all of na- ture's ...
... echo of the universal mourning that begins in a pastoral elegy after the death of the beloved swain . There is , however , no equivalent tragedy in Philips ' imita- tion , no loss of such a magnitude that it would dim all of na- ture's ...
Seite 181
... echo the comment by Virgil's Meliboeus that he ought to have been more attentive when lightning struck the oaks so often , i.e. , he ought to have seen those events as warnings from heaven . Philips takes the lines a step further ...
... echo the comment by Virgil's Meliboeus that he ought to have been more attentive when lightning struck the oaks so often , i.e. , he ought to have seen those events as warnings from heaven . Philips takes the lines a step further ...
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