CR. The Centennial Review, Band 32Michigan State University, College of Arts & Letters, 1988 |
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Seite 414
THE PREFACE AS CRITICISM : T. S. ELIOT ON NIGHTWOOD By James E. Morrison LATE IN HIS CAREER , while he was an editor at Faber and Faber . T. S. Eliot wrote three prefaces for books by other writers . The books were Djuna Barnes's ...
THE PREFACE AS CRITICISM : T. S. ELIOT ON NIGHTWOOD By James E. Morrison LATE IN HIS CAREER , while he was an editor at Faber and Faber . T. S. Eliot wrote three prefaces for books by other writers . The books were Djuna Barnes's ...
Seite 415
... Eliot's position as the high - priest of English modernism is un- disputed , even if Eliot himself disowned the title . In literary history , Eliot's identification with the modernist movement is so complete that the progression of his ...
... Eliot's position as the high - priest of English modernism is un- disputed , even if Eliot himself disowned the title . In literary history , Eliot's identification with the modernist movement is so complete that the progression of his ...
Seite 417
... Eliot attacks the Romantic ( at least , Wordsworthian ) conception of poetry as well as Matthew Arnold's stern revisions of that conception , even while restating an alternative version of the sacralization of poetry which one can trace ...
... Eliot attacks the Romantic ( at least , Wordsworthian ) conception of poetry as well as Matthew Arnold's stern revisions of that conception , even while restating an alternative version of the sacralization of poetry which one can trace ...
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