CR. The Centennial Review, Band 32Michigan State University, College of Arts & Letters, 1988 |
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Seite 251
... Hughes's poetry as an obstacle to her own creativity . Appropriating a sheaf of Hughes's typescripts for scrap as she composed the first poems that respond to the break - up of their marriage is an emotionally laden gesture with a ...
... Hughes's poetry as an obstacle to her own creativity . Appropriating a sheaf of Hughes's typescripts for scrap as she composed the first poems that respond to the break - up of their marriage is an emotionally laden gesture with a ...
Seite 262
... Hughes's poem is set in a snowy midnight when the speaker - poet confronts a writing block ; the fox is evoked as an unconscious agency that comes " about its own business " but suddenly accomplishes the poet's task as " it enters the ...
... Hughes's poem is set in a snowy midnight when the speaker - poet confronts a writing block ; the fox is evoked as an unconscious agency that comes " about its own business " but suddenly accomplishes the poet's task as " it enters the ...
Seite 293
... Hughes left Plath to be with Assia Guttinan , who was Jewish . Assia is not a common Hebrew name , and naming one's child Assia certainly suggests a strong interest in Cabala because the name denotes the last of the four worlds , the ...
... Hughes left Plath to be with Assia Guttinan , who was Jewish . Assia is not a common Hebrew name , and naming one's child Assia certainly suggests a strong interest in Cabala because the name denotes the last of the four worlds , the ...
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