Plan. Then say at once, if I maintain'd the truth; Or, else, was wrangling Somerset in the error?? Suff. 'Faith, I have been a truant in the law; And never yet could frame my will to it; And, therefore, frame the law unto my will. Som. Judge you, my lord of Warwick, then be tween us. War. Between two hawks, which flies the higher pitch, Between two dogs, which hath the deeper mouth, Plan. Tut, tut, here is a mannerly forbearance The truth appears so naked on my side, That any purblind eye may find it out. Som. And on my side it is so well apparell'd So clear, so shining, and so evident, That it will glimmer through a blind man's eye. Plan. Since you are tongue-ty'd, and so loath to speak, In dumb significants proclaim your thoughts: • Johnson observes that "there is apparently a want of opposition between the two questions here," but there is no reason to suspect that the text is corrupt. Or else must be understood as, Or, in other words. 3 i. e. regulate his motions most adroitly. We still say that a horse carries himself well. In Romeo and Juliet we have:"He bears him like a portly gentleman." Dumb significants, which Malone would have changed to significance, is nothing more than signs or tokens. Armado calls the letter he sends to Jaquenetta "this significant." Love's Labour's Lost, Act iii. Sc. 1. If he suppose that I have pleaded truth, From off this brier pluck a white rose with me. War. I love no colours5; and, without all colour Of base insinuating flattery, Somerset ; I pluck this white rose with Plantagenet. Till Ver. Stay, lords and gentlemen: and pluck no more, you conclude that he, upon whose side The fewest roses are cropp'd from the tree, Shall yield the other in the right opinion. Som. Good master Vernon, it is well objected6; If I have fewest, I subscribe in silence. Plan. And I. Ver. Then, for the truth and plainness of the case, I pluck this pale, and maiden blossom here, Giving my verdict on the white rose side. Som. Prick not your finger as you pluck it off; Ver. If I, my lord, for my opinion bleed, 5 Colours is here used ambiguously for tints and deceits. Thus in Love's Labour's Lost.-"I do fear colourable colours.” 6 Well objected is properly proposed, properly thrown in our way. Thus in Goulart's Admirable Histories, 4to. 1607 :-"Because Sathan transfigures himself into an angell of light, I objected many and sundry questions to him." Again, in Chapman's version of the twenty-first book of the Odyssey: "Excites Penelope t' object the prize (The bow and bright steeles) to the wooer's strength" The argument you held was wrong you; [TO SOMERSET In sign whereof, I pluck a white rose too. Plan. Now, Somerset, where is your argument? Som. Here, in my scabbard; meditating that, Shall dye your white rose in a bloody red. Plan. Mean time, your cheeks do counterfeit our roses; For pale they look with fear, as witnessing No, Plantagenet, Som. Plan. Hath not thy rose a canker, Somerset ? Plan. Now, by this maiden blossom in my hand, I scorn thee and thy faction, peevish boy. Suf. Turn not thy scorns this way, Plantagenet. Plan. Proud Poole, I will; and scorn both him and thee. Suf. I'll turn my part thereof into thy threat. 7 It is not for fear that my cheeks look pale, but for anger; anger produced by this circumstance-namely, that thy cheeks blush, &c. 8 Theobald altered fashion, which is the reading of the old copy, to faction. Warburton contends that "by fashion is meant the badge of the red rose, which Somerset said that he and his friends would be distinguished by." Theobald's emendation is confirmed by what Plantagenet afterwards says: "This pale and angry rose He has already in this scene been called Som. Away, away, good William De-la-Poole ! His grandfather was Lionel, duke of Clarence, Som. By him that made me, I'll maintain my words The poet mistakes. Plantagenet's paternal grandfather was Edmund of Langley, Duke of York. His maternal grandfather was Roger Mortimer, Earl of March, who was the son of Philippa, the daughter of Lionel, Duke of Clarence. The duke, therefore, was his maternal great great grandfather. 10 Crestless yeomen, i. e. those who have no right to arms. "It does not appear that the Temple had any privilege of sanctuary at this time, being then, as now, the residence of law students. The author might imagine it to have derived some such privilege from the knights templars, or knights hospitallers, both religious orders, its former inhabitants. It is true, blows may have been prohibited by the regulations of the society: the author perhaps did not much consider the matter, but represents it as suited his purpose. 12 Exempt for excluded. See Comedy of Errors, Act ii. Sc. 2, note 14. 13 Partaker, in ancient language, signifies one who takes part with another; an accomplice, or confederate. "A partaker, or co book of memory 14, To scourge you for this apprehension 15: Until it wither with me to my grave, Suf. Go forward, and be chok'd with thy ambition! And so farewell, until I meet thee next. [Exit. Som. Have with thee, Poole.-Farewell, ambitious Richard. [Exit. Plan. How I am brav'd, and must perforce endure it! War. This blot, that they object against your house, Shall be wip'd out in the next parliament, Call'd for the truce of Winchester and Gloster: parcioner; particeps, consors, consocius."-Buret. So in the fiftieth Psalm:-" When thou sawest a thief thou didst consent unto him, and hast been partaker with the adulterers.' "Each side had great partakers; Cæsar's cause Marlowe's Translation of the First Book of Lucan. 14 So in Hamlet:— "The table of my memory.” "Shall live Within the book and volume of my brain.” 15 Apprehension here means conception, or a conceit taken that matters are different from what the truth warrants. So in Much Ado about Nothing: :-"How long have you professed apprehen sion ?" i. e. the taking of conceits into your head. A cognizance is a badge. |