A Glance Toward ShakespeareAtlantic Monthly Press, 1922 - 115 Seiten |
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Seite 7
... course , obliged to expound and digress from time to time , in order to make the story clear ; for the plot is extremely complex and long drawn out . I am not myself very fond of " Cymbe- line . " It is a tissue of inordinate romantic ...
... course , obliged to expound and digress from time to time , in order to make the story clear ; for the plot is extremely complex and long drawn out . I am not myself very fond of " Cymbe- line . " It is a tissue of inordinate romantic ...
Seite 25
... course , but her value should be economized . The manager would do well to have a talk with her beforehand , saying , “ Madam , we cannot stage this play without a nurse ; but if your idea is to occupy the centre of the stage and play ...
... course , but her value should be economized . The manager would do well to have a talk with her beforehand , saying , “ Madam , we cannot stage this play without a nurse ; but if your idea is to occupy the centre of the stage and play ...
Seite 26
... course , and makes her step into the mill- And yet scarcely anything is said about the matter at the moment it occurs on the stage . No other dramatist has transitions of this kind , turns of thought that are unexpected , fleeting ...
... course , and makes her step into the mill- And yet scarcely anything is said about the matter at the moment it occurs on the stage . No other dramatist has transitions of this kind , turns of thought that are unexpected , fleeting ...
Seite 29
... bloody dog is dead ! " Of course there are messen- gers . When the murders begin to run short , at the close of the fourth act , five messengers come in one - after the other to announce the coming battle . 29 RICHARD III.
... bloody dog is dead ! " Of course there are messen- gers . When the murders begin to run short , at the close of the fourth act , five messengers come in one - after the other to announce the coming battle . 29 RICHARD III.
Seite 36
... course of the play you have seven more murders and a suicide . You have Ophelia , Polonius , a play within a play , an insurrection , the grave- diggers , a funeral , a hand - to - hand fight in a grave , a pretended fencing - bout ...
... course of the play you have seven more murders and a suicide . You have Ophelia , Polonius , a play within a play , an insurrection , the grave- diggers , a funeral , a hand - to - hand fight in a grave , a pretended fencing - bout ...
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actor audience beauty behold brain Cassio climax comedy conception creatures criticism curse Cymbeline cynical doth drama dramatist Edgar Edmund Kean Elizabethan English excite Falstaff fancy feel fiction genius ghost give grief Hamlet heart heaven honest humor Iago idea imagination Imogen Julius Cæsar King Lear light literature lived Macbeth Merchant of Venice Mercutio Merry Wives mind modern stage mood murder nature never night Number Ophelia Othello passion pathos perfect perhaps Petrarch play playwright plot poet poetic poetry Polonius recite Richard Richard III rôles Romeo and Juliet scene seems shadow Shake Shakespeare Shakespeare's Sonnets soliloquies speare speech spirit stage characters story sweet talk Tempest theatre thee theme thing thought tion to-day touch tragedy tragic Twelfth Night Venice Venus and Adonis villain whole wicked WIVES OF WINDSOR wonder words writing written
Beliebte Passagen
Seite 100 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy; •• Or in the night, imagining some fear, How easy is a bush supposed a bear?
Seite 103 - What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you ; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new...
Seite 64 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides Your loop'd and window'd raggedness, defend you From seasons such as these?
Seite 72 - Canst thou not minister to a mind diseased, Pluck from the memory a rooted sorrow, Raze out the written troubles of the brain And with some sweet oblivious antidote Cleanse the stuffed bosom of that perilous stuff Which weighs upon the heart?
Seite 72 - That palter with us in a double sense, That keep the word of promise to our ear, And break it to our hope.
Seite 63 - I may scape, I will preserve myself: and am bethought To take the basest and most poorest shape, That ever penury, in contempt of man, Brought near to beast...
Seite 75 - Ere we will eat our meal in fear, and sleep In the affliction of these terrible dreams That shake us nightly. Better be with the dead, Whom we, to gain our peace, have sent to peace, Than on the torture of the mind to lie In restless ecstasy. Duncan is in his grave; After life's fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing Can touch him further.
Seite 73 - This guest of summer, The temple-haunting ° martlet, does approve By his loved mansionry ° that the heaven's breath Smells wooingly here : no jutty,° frieze, Buttress, nor coign of vantage, but this bird Hath made his pendant bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Seite 99 - And see the brave day sunk in hideous night ; When I behold the violet past prime, And sable curls all silver'd o'er with white ; When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard, Then of thy beauty do I question make...
Seite 14 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful and ridiculous excess.