A Glance Toward ShakespeareAtlantic Monthly Press, 1922 - 115 Seiten |
Im Buch
Ergebnisse 1-5 von 58
Seite
... Stage ... IV . ROMEO AND JULIET . I 3 II 23 V. RICHARD III ... 27 VI . HAMLET .. 33 VII . THE MERRY WIVES OF WINDSOR . 43 VIII . OTHELLO AND HENRY V .... 46 IX . KING LEAR .. · 55 X. MACBETH .. 68 XI . THE COMEDIES . 76 XII ...
... Stage ... IV . ROMEO AND JULIET . I 3 II 23 V. RICHARD III ... 27 VI . HAMLET .. 33 VII . THE MERRY WIVES OF WINDSOR . 43 VIII . OTHELLO AND HENRY V .... 46 IX . KING LEAR .. · 55 X. MACBETH .. 68 XI . THE COMEDIES . 76 XII ...
Seite 2
... stage becomes the true place to study him . The footlights are our best guide to him ; and if he should be lost to the living stage , a great part of his meaning would vanish . It is for this reason that the reader will find in these ...
... stage becomes the true place to study him . The footlights are our best guide to him ; and if he should be lost to the living stage , a great part of his meaning would vanish . It is for this reason that the reader will find in these ...
Seite 3
... stage was held in Elizabeth's time . This is what set Shakespeare free : he could give rein to his imagina- tion , and his imagination got such mastery over him and burned so brightly , that it obscured the fuel . He had no court and no ...
... stage was held in Elizabeth's time . This is what set Shakespeare free : he could give rein to his imagina- tion , and his imagination got such mastery over him and burned so brightly , that it obscured the fuel . He had no court and no ...
Seite 4
... stage caught them up , and a new generation of poets turned the tales of the world into dramas . The passion behind all this popular literature , from Homer to Kipling , is a passion for fiction . The form changes from poetry to prose ...
... stage caught them up , and a new generation of poets turned the tales of the world into dramas . The passion behind all this popular literature , from Homer to Kipling , is a passion for fiction . The form changes from poetry to prose ...
Seite 5
... stage directions , remove the stage from un- der their feet , and pull down the theatre , and yet the play goes forward : everything is expressed in the lines themselves . Every shade of emotion that flits through the heart of a ...
... stage directions , remove the stage from un- der their feet , and pull down the theatre , and yet the play goes forward : everything is expressed in the lines themselves . Every shade of emotion that flits through the heart of a ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor audience beauty behold brain Cassio climax comedy conception creatures criticism curse Cymbeline cynical doth drama dramatist Edgar Edmund Kean Elizabethan English excite Falstaff fancy feel fiction genius ghost give grief Hamlet heart heaven honest humor Iago idea imagination Imogen Julius Cæsar King Lear light literature lived Macbeth Merchant of Venice Mercutio Merry Wives mind modern stage mood murder nature never night Number Ophelia Othello passion pathos perfect perhaps Petrarch play playwright plot poet poetic poetry Polonius recite Richard Richard III rôles Romeo and Juliet scene seems shadow Shake Shakespeare Shakespeare's Sonnets soliloquies speare speech spirit stage characters story sweet talk Tempest theatre thee theme thing thought tion to-day touch tragedy tragic Twelfth Night Venice Venus and Adonis villain whole wicked WIVES OF WINDSOR wonder words writing written
Beliebte Passagen
Seite 100 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven, And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy; •• Or in the night, imagining some fear, How easy is a bush supposed a bear?
Seite 103 - What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you ; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new...
Seite 64 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads and unfed sides Your loop'd and window'd raggedness, defend you From seasons such as these?
Seite 72 - Canst thou not minister to a mind diseased, Pluck from the memory a rooted sorrow, Raze out the written troubles of the brain And with some sweet oblivious antidote Cleanse the stuffed bosom of that perilous stuff Which weighs upon the heart?
Seite 72 - That palter with us in a double sense, That keep the word of promise to our ear, And break it to our hope.
Seite 63 - I may scape, I will preserve myself: and am bethought To take the basest and most poorest shape, That ever penury, in contempt of man, Brought near to beast...
Seite 75 - Ere we will eat our meal in fear, and sleep In the affliction of these terrible dreams That shake us nightly. Better be with the dead, Whom we, to gain our peace, have sent to peace, Than on the torture of the mind to lie In restless ecstasy. Duncan is in his grave; After life's fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing Can touch him further.
Seite 73 - This guest of summer, The temple-haunting ° martlet, does approve By his loved mansionry ° that the heaven's breath Smells wooingly here : no jutty,° frieze, Buttress, nor coign of vantage, but this bird Hath made his pendant bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Seite 99 - And see the brave day sunk in hideous night ; When I behold the violet past prime, And sable curls all silver'd o'er with white ; When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard, Then of thy beauty do I question make...
Seite 14 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful and ridiculous excess.