King LearEven the most resolutely disengaged students can finally 'discover' and thrill to the rhythms and passions of Shakespeare's plays! Award-winning teachers and Shakespearean scholars have extensively trialled their approach to teaching Shakespeare's plays in the classroom, and this series is the result! The plays in this series are becoming increasingly popular for student resources in schools as English and Drama teachers discover their fabulous teaching and learning qualities. |
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Seite iii
]acobean England A day at the theatre, London 1607 Dates, sources and setting Shakespeare's language The characters Act summaries and activities Scene 1 The kingdom divided Scene 2 Edmund the bastard Scene 3 Gonerill's complaint Scene 4 ...
]acobean England A day at the theatre, London 1607 Dates, sources and setting Shakespeare's language The characters Act summaries and activities Scene 1 The kingdom divided Scene 2 Edmund the bastard Scene 3 Gonerill's complaint Scene 4 ...
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A64 Scene 1 Gloucester led by Tom 0' Bedlam Scene 2 Gonerill and Edmund Scene 3 Cordelia in command Scene 4 Regan, Oswald and the message Scene 5 Gloucester survives to meet Lear Scene 6 The reconciliation Act5 Scene 1 A battle lost but ...
A64 Scene 1 Gloucester led by Tom 0' Bedlam Scene 2 Gonerill and Edmund Scene 3 Cordelia in command Scene 4 Regan, Oswald and the message Scene 5 Gloucester survives to meet Lear Scene 6 The reconciliation Act5 Scene 1 A battle lost but ...
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All of the parts are played by males, and female characters, like Cordelia, Regan and Gonerill, are played by boys whose voices have not yet broken.Theatre companies are considered too dangerous for women, and they won't be permitted ...
All of the parts are played by males, and female characters, like Cordelia, Regan and Gonerill, are played by boys whose voices have not yet broken.Theatre companies are considered too dangerous for women, and they won't be permitted ...
Seite 8
Also well known to this audience was the intriguing fact that Cornwall and Albany, who in the play are the husbands of Regan and Gonerill respectively, were the real-life titles ...
Also well known to this audience was the intriguing fact that Cornwall and Albany, who in the play are the husbands of Regan and Gonerill respectively, were the real-life titles ...
Seite 10
It is used to indicate interruptions to the flow of conversation in several ways. a Alternating between speaking to one character and another [Context: Hurling abuse at Gonerill, Lear interrupts his tirade by issuing a command to his ...
It is used to indicate interruptions to the flow of conversation in several ways. a Alternating between speaking to one character and another [Context: Hurling abuse at Gonerill, Lear interrupts his tirade by issuing a command to his ...
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Häufige Begriffe und Wortgruppen
Act 1 Scene ALBANY Albany’s audience Bedlam beggars blinding brother Burgundy characters Child Rowland complete the table contrast Copy and complete CORDELIA KING LEAR daughters death dost dramatic irony Duke Duke of Cornwall Earl of Gloucester EDGAR GLOUCESTER EDGAR EDMUND GLOUCESTER emphasise enters Exit eyes father FOOL KENT FOOL KING LEAR Fool’s GENTLEMAN give GLOUCESTER EDGAR GLOUCESTER Gloucester’s castle gods Gonerill and Regan Gonerill’s hast hath heart iambic pentameter iambs imagery Jacobean KENT KING LEAR Kent’s KING LEAR FOOL KING LEAR KENT KING OF FRANCE King’s kingdom knave language LEAR FOOL KING LEAR KENT KING Lear’s letter lines Lord Madam man’s means nature night Nuncle Nunn nutshell OSWALD pathetic fallacy Peter Brook play’s poor Press PLAY Prithee Questions servant Shakespeare Shakespeare’s plays sister soliloquy speak storm Text notes thee There’s thine Trevor Nunn trochee villain words
Bibliografische Informationen
| Titel | King Lear Insight Shakespeare Plays Series |
| Autoren | Aidan Coleman, Stephen McInerney, William Shakespeare |
| Verlag | Insight Publications, 2011 |
| ISBN | 1921411716, 9781921411717 |
| Länge | 224 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |