King LearInsight Publications, 2011 - 224 Seiten Even the most resolutely disengaged students can finally 'discover' and thrill to the rhythms and passions of Shakespeare's plays! Award-winning teachers and Shakespearean scholars have extensively trialled their approach to teaching Shakespeare's plays in the classroom, and this series is the result! The plays in this series are becoming increasingly popular for student resources in schools as English and Drama teachers discover their fabulous teaching and learning qualities. |
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Ergebnisse 1-5 von 42
Seite iii
... , and crack your cheeks!' Scene 3 Gloucester tells Edmund a secret Scene 4 Lear meets Tom 0' Bedlam Scene 5 Cornwall will have revenge Scene 6 Lear to go to Dover Scene 7 Gloucester loses his eyes 101 105 112 116 126 128 133.
... , and crack your cheeks!' Scene 3 Gloucester tells Edmund a secret Scene 4 Lear meets Tom 0' Bedlam Scene 5 Cornwall will have revenge Scene 6 Lear to go to Dover Scene 7 Gloucester loses his eyes 101 105 112 116 126 128 133.
Seite 7
... eye on your bag. The audience around you are poorer Londoners, the groundlings.You'll find they're a lot like a crowd at the football but rougher.They will eat, drink and talk throughout the performance and will shout out or boo if they ...
... eye on your bag. The audience around you are poorer Londoners, the groundlings.You'll find they're a lot like a crowd at the football but rougher.They will eat, drink and talk throughout the performance and will shout out or boo if they ...
Seite 12
... EYES; (Act 4 Scene 1) Shakespeare uses iambic pentameter (five te-DUMs per line) not only across words ('no EYES', as written above), but also across speakers: EDGAR Now fare you well, good sir. GLOUCESTER With all my heart. (Act 4 ...
... EYES; (Act 4 Scene 1) Shakespeare uses iambic pentameter (five te-DUMs per line) not only across words ('no EYES', as written above), but also across speakers: EDGAR Now fare you well, good sir. GLOUCESTER With all my heart. (Act 4 ...
Seite 15
... the dread summit of this chalky bourn. Look up a-height. The shrill-gorged lark so far Cannot be seen or heard. Do but look up. GLOUCESTER EDGAR Alack, I have no eyes. Is wretchedness deprived. William Shakespeare's King Lear 15.
... the dread summit of this chalky bourn. Look up a-height. The shrill-gorged lark so far Cannot be seen or heard. Do but look up. GLOUCESTER EDGAR Alack, I have no eyes. Is wretchedness deprived. William Shakespeare's King Lear 15.
Seite 16
... eyes. Is wretchedness deprived that benefit To end itself by death? 'Twas yet some comfort When misery could beguile the tyrant's rage And frustrate his proud will. Give me your arm. (Act 4 Scene 5) The two short lines spoken by ...
... eyes. Is wretchedness deprived that benefit To end itself by death? 'Twas yet some comfort When misery could beguile the tyrant's rage And frustrate his proud will. Give me your arm. (Act 4 Scene 5) The two short lines spoken by ...
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Häufige Begriffe und Wortgruppen
Act 1 Scene ALBANY Albany’s audience Bedlam beggars blinding brother Burgundy characters Child Rowland complete the table contrast Copy and complete CORDELIA KING LEAR daughters death dost dramatic irony Duke Duke of Cornwall Earl of Gloucester EDGAR GLOUCESTER EDGAR EDMUND GLOUCESTER emphasise enters Exit eyes father FOOL KENT FOOL KING LEAR Fool’s GENTLEMAN give GLOUCESTER EDGAR GLOUCESTER Gloucester’s castle gods Gonerill and Regan Gonerill’s hast hath heart iambic pentameter iambs imagery Jacobean KENT KING LEAR Kent’s KING LEAR FOOL KING LEAR KENT KING OF FRANCE King’s kingdom knave language LEAR FOOL KING LEAR KENT KING Lear’s letter lines Lord Madam man’s means nature night Nuncle Nunn nutshell OSWALD pathetic fallacy Peter Brook play’s poor Press PLAY Prithee Questions servant Shakespeare Shakespeare’s plays sister soliloquy speak storm Text notes thee There’s thine Trevor Nunn trochee villain words