Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 64
... Beatrice . " She further clarifies that , Don Pedro may find her charming , her uncle may value her gaiety , but young males are more vulnerable . Much Ado is not out to test the limits of our tolerance for feminine assertiveness ...
... Beatrice . " She further clarifies that , Don Pedro may find her charming , her uncle may value her gaiety , but young males are more vulnerable . Much Ado is not out to test the limits of our tolerance for feminine assertiveness ...
Seite 67
... Beatrice's version because he loves Beatrice from within , and his love helps him to respect , admire and believe her words . The play Much Ado is based on the reflections on the theme of appearance and reality . Hero's death , which is ...
... Beatrice's version because he loves Beatrice from within , and his love helps him to respect , admire and believe her words . The play Much Ado is based on the reflections on the theme of appearance and reality . Hero's death , which is ...
Seite 74
... Beatrice's forwardness mocks at Hero's docility . Hero's propriety and modesty mock at Beatrice's pride , scorn and insolence . They are two faces of the same coin - femininity . Given the opportunity Hero proves herself to be competent ...
... Beatrice's forwardness mocks at Hero's docility . Hero's propriety and modesty mock at Beatrice's pride , scorn and insolence . They are two faces of the same coin - femininity . Given the opportunity Hero proves herself to be competent ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young