Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 57
... CELIA Celia , Rosalind's companion , support and witty cousin , has a delightful nature almost equal to Rosalind's . She is as practical and intelligent as Rosalind but she has been given an inferior position to Rosalind in the plot ...
... CELIA Celia , Rosalind's companion , support and witty cousin , has a delightful nature almost equal to Rosalind's . She is as practical and intelligent as Rosalind but she has been given an inferior position to Rosalind in the plot ...
Seite 61
... Celia proves to be as good as Rosalind , sometimes better . She proves to be more sensible and resourceful too . Rosalind is at a loss when her banishment is announced ; it is Celia who provides a comforting way out of the problem and ...
... Celia proves to be as good as Rosalind , sometimes better . She proves to be more sensible and resourceful too . Rosalind is at a loss when her banishment is announced ; it is Celia who provides a comforting way out of the problem and ...
Seite 62
... Celia's nature is the opposite of her father's . She is as fair to Rosalind as he is unjust . She is as affectionate and loving as he is inconsiderate and full of hatred . When both get married , Rosalind and Orlando return to the ...
... Celia's nature is the opposite of her father's . She is as fair to Rosalind as he is unjust . She is as affectionate and loving as he is inconsiderate and full of hatred . When both get married , Rosalind and Orlando return to the ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young