Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 52
... Rosalind keeps Orlando entangled in her witty style of debat- ing about the strange ways of love . As J. Westlund says , " Rosalind's playfulness keeps a balanced view of love before his and our eyes . " 31 She cleverly manipulates him ...
... Rosalind keeps Orlando entangled in her witty style of debat- ing about the strange ways of love . As J. Westlund says , " Rosalind's playfulness keeps a balanced view of love before his and our eyes . " 31 She cleverly manipulates him ...
Seite 53
... Rosalind finds her task quite challenging as Orlando is almost reluctant to disclose his passionate feeling to the young boy , Ganymede . The anxiety of Rosalind sometimes gets the better of her and she almost lets her secret out ...
... Rosalind finds her task quite challenging as Orlando is almost reluctant to disclose his passionate feeling to the young boy , Ganymede . The anxiety of Rosalind sometimes gets the better of her and she almost lets her secret out ...
Seite 54
A Selective Study of Shakespheare Ishani Ghoshal. aspect of Rosalind : Rosalind is both herself and what others imagine her to be .... We can be perplexed about just which role she assumes at any given moment ; she responds with various ...
A Selective Study of Shakespheare Ishani Ghoshal. aspect of Rosalind : Rosalind is both herself and what others imagine her to be .... We can be perplexed about just which role she assumes at any given moment ; she responds with various ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young