Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 92
... accept Olivia's proposal of marriage is turned into Bertram's stubbornness . Therefore this play is significant as the traces of the next problem comedy can be found in it along with the last triumphs in comical devices . CONCLUSION In ...
... accept Olivia's proposal of marriage is turned into Bertram's stubbornness . Therefore this play is significant as the traces of the next problem comedy can be found in it along with the last triumphs in comical devices . CONCLUSION In ...
Seite 108
... accept it . Bertram learns the various aspects of honour from the enraged king : he is told about the misconcep- tion of honour that he has . Here , Shakespeare defines the true meaning of honour as it was propagated by the humanists of ...
... accept it . Bertram learns the various aspects of honour from the enraged king : he is told about the misconcep- tion of honour that he has . Here , Shakespeare defines the true meaning of honour as it was propagated by the humanists of ...
Seite 130
... accepted it . Critics accuse Isabella of forgetting her convent ideals and conveniently accepting the duke's offer of marriage . This is true if we assume that she did accept the proposal which is not mentioned by her in the play ...
... accepted it . Critics accuse Isabella of forgetting her convent ideals and conveniently accepting the duke's offer of marriage . This is true if we assume that she did accept the proposal which is not mentioned by her in the play ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young