Feminism in Literature: A Selective Study of ShakespheareUtusan Publication & Distributors Sdn Bhd., 2000 - 213 Seiten |
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Seite 48
... affection they attracted , could not be accepted without some special pleading.2 25 Rosalind hardly gets time enough to tell her cousin about her affections towards Orlando when she is shocked by Duke Frederick's announcement of her ...
... affection they attracted , could not be accepted without some special pleading.2 25 Rosalind hardly gets time enough to tell her cousin about her affections towards Orlando when she is shocked by Duke Frederick's announcement of her ...
Seite 58
... affection and wisdom , clinch the argument and Rosalind is ready to " forget the condition of my estate , to rejoice in yours " ( I.ii.12 ) . Celia is not blind to the sin committed by her father and promises to return the dukedom to ...
... affection and wisdom , clinch the argument and Rosalind is ready to " forget the condition of my estate , to rejoice in yours " ( I.ii.12 ) . Celia is not blind to the sin committed by her father and promises to return the dukedom to ...
Seite 186
... affection not gone forth , I'll make you / The Queen of Naples " ( l.ii.447-48 ) . Without further time to think or ... affectionate and warm in her feelings towards others , specially Ferdinand . Ferdinand , an experienced and wise ...
... affection not gone forth , I'll make you / The Queen of Naples " ( l.ii.447-48 ) . Without further time to think or ... affectionate and warm in her feelings towards others , specially Ferdinand . Ferdinand , an experienced and wise ...
Inhalt
THE RESOURCEFUL HEROINES OF SHAKESPEARES | 18 |
THE GRITTY WOMEN OF THE PROBLEM COMEDIES | 98 |
THE HEROINES OF THE ROMANCES | 135 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action affection Andretta Angelo Anna Jameson attraction Bassanio Beatrice beauty becomes behaviour believe Benedick Bertram better bring brother caused Celia century challenge charm chastity Claudio comedies considered court created critics Dash daughter death disguise duke Elizabethan equal face father feelings give given grace hand hear heart Helena Hermione Hero heroine honour human husband Ibid Imogen Irene G Isabella Italy Juliet kind king lady leave Leontes live lovers maid male marriage married Measure mind Miranda moral nature never notes observes Olivia once Orlando Orsino Paulina Perdita Pericles person play points Portia Posthumus present problem proves qualities queen remarks Richard romances Rosalind says scene seems sense Shakespeare Shakespeare's Plays shows social society soul speak status tells thought true truth turns unlike Viola virtues wife woman women characters young